The current dichotomy between infinite languages and no language reveals the need to recover the excellence of the Italian design tradition.The experiment was to reinterpret today some distinctive signs of Pietro Chiesa and Max Ingrand for Fontana Arte, using the most advanced technologies currently available, so as to rethink the design approaches in a process of “perfectibility of the work” aiming to enhance the idea.

Bevilacqua Architects  Design Miami/ Basel
Date: June 2014

Photos: Simona Caleo